01_proteo_cabecera_martin_sati

Proteus

Study on the construction of the figure from steel pieces painted red.

The intention is not to draw a head or represent it precisely. What is interesting is understanding the conditions needed for our brain to begin recognising a figure as a head.

Each piece on its own carries little meaning. They are curves, voids, cuts and profiles with no obvious function. When the pieces are assembled, something recognisable begins to appear.

The figure is not really contained in any one of the pieces. It emerges from the relationships between them, from the empty spaces and from the way we interpret them. The head appears almost as an event: a moment in which several independent forms suddenly begin to become a single thing.

02_proteo_detalle_martin_sati
03_proteo_frontal_martin_sati
04_proteo_boceto_martin_sati
05_proteo_boceto_martin_sati
06_proteo_boceto_martin_sati
07_proteo_semiperfil_martin_sati
08_proteo_perfil_martin_sati

The piece is constructed from die-cut steel sheets, hand-painted in red. Its dimensions are adapted to the site in order to integrate the piece into its surroundings.

09_proteo_pieza_martin_sati
10_proteo_detalle_martin_sati
11_proteo_detalle2_martin_sati

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